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Cinematography 

The short film primarily uses wide landscape shots - adding to the realism of the film. It feels as if we could be looking at a police scene from afar in person or on TV during a news report. The wide shots also build a sad, quiet atmosphere along with the sound - fitting with the storyline. The short film is based on a true story - so it is crucial that the tone of the film reflects this, a tragic, upsetting event, which the shot choice does. The naturalistic lighting also emphasises the realism, whilst also reflecting the grey, gloomy day of the event - adding to the emotional atmosphere. 


Sound 

Sound is used sparingly but with great effect to build atmosphere and guide the audience's response. The short film heavily relies on quietness and natural diegetic sounds to create a sense of realism and the sadness of the storyline - based on a real event. The diegetic sound also works in align with the wide shots - the distant chatter of the police and movement of vehicles, builds the realism as it feels as if we are really stood watching the scene. The absence of non-diegetic sound emphasises the tone of loss - leaving the audience in silence during many moments, to reflect on the tragedy. The realism of the sound also creates a documentary-like atmosphere, again very fitting with the narrative. 






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